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| Cutpurse Moll and the Lonely Hearts by David Pemberton |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | The Producer's Copy of the script contains suggestions for 9 songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Full-length comedy with music - a modern take on the life of a notorious 17th century figure. Four settings, but created by the company moving furniture, otherwise bare stage. |
| Synopsis | When cross-dressing criminal Moll Cutpurse agrees to 'marry' Sebastian, it is all part of the escort service she provides for gentlemen of society. In reality, young Sebastian wants to marry Mary, but his father has refused, so he tries to deceive him into believing that he intends to marry the notorious Moll instead. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Cyrano and Roxane by David Pemberton |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | Two tracks are suggested in the producer's script - one to be played in the background at the end of a scene, one to be played from an instrumental recording as a character sings the lyrics. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length comedy drama with various settings. |
| Synopsis | A modern reworking of the romantic classic, bringing to life the story of Cyrano de Bergerac - a French soldier known for his poetic skills, bold adventures and large nose - his friend Christian and their love for Roxane. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Dancing Princesses by Peter Bond |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 28. No chorus. The numbers are very flexible. There are three speaking princesses, but this could be reduced to 2. However, there is scope for a much larger number of (non-speaking) princesses and an equal number of dancing princes. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Verse play, with some elements of panto, based on The Shoes That Were Danced to Pieces or The Twelve Dancing Princesses (depending on which translation of the Brothers Grimm you prefer). Several locations, but no major set requirements. |
| Synopsis | A King offers the usual rewards (marriageable daughter, bits of kingdom, that sort of thing) for anyone who can discover why each of his daughters ruin a pair of shoes every night. Enter a wounded soldier and a helpful old lady to solve the mystery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Diamond Jubilee 2012 by Ray Lawrence |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 38. No chorus. Generally, the characters are fairly normal, although one of them is a football. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Revue - that is to say, a themed sketch show. Structured with a chairman (of the Music Hall sort) to introduce the act. Few set requirements. |
| Synopsis | A collection of twenty four sketches suitable for the celebration of Queen Elizabeth the Second's Diamond Jubilee (and probably other occasions).
Not a musical show as written, but structured so that musical numbers could easily be inserted between the acts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Disconnected by Paul L. Harwood |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 9. No chorus. Several characters appear as (old) adults and their youthful selves. This is open to being done by two actors or by one acting different ages. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Single set which morphs into different locations. An exploration of time, decisions and consequences. Contains mild swearing. |
| Synopsis | Bernie is an old man, but he's haunted by the consequences of a promise he made to his childhood friend Joe, who died in World War Two. Now Bernie is reliving important moments of his life - could he really be about to undo the most disastrous decision he ever made? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Duck by Bob Tucker |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. Three ducks, three swans and three hunters! |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute comedy play. Single set (no real set requirements) |
| Synopsis | Three different varieties of duck are arguing about which is the true Duck, when they are united by the threatening behaviour of the ruling swans. Sadly, before their revolution can get off the ground, three duck hunters arrive. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dummy Cabs by S. P. Franksson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four on-stage characters, seven live voices (which could, conceivably, be played by one male actor) plus a recorded message. |
| Run Time | Around 114 minutes. [Estimated!] |
| Music | None. |
| Style | A fun full-length comedy with likeable characters in a single taxi office setting. |
| Synopsis | It's the 1990s and Dermy Cabs is under threat from a competitor. Beryl, the overworked switchboard operator, struggles with phone, radios and in-person customers whilst trying to keep the company's drivers under control, especially Bob, whose wife has kicked him out of the house. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| End of the Ban by Anne Graham |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one-hour comedy set in 1980s England. |
| Synopsis | It is 1987. Coal miner Les Varley and his family are typical of the many mining families of North Nottinghamshire. Les and his wife Rita's slow drift apart is accelerated by conflicts over their daughter's sex life and their son's criminal activities. Then comes the news that Les is trapped in an underground roof fall. His family, the neighbours and the whole village can only wait. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Everybody's Talking by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 47. No chorus. Some scripts require offstage voices which could be recorded. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of comedy sketches, with a variety of simple sets. |
| Synopsis | A collection of confrontations, revelations, and scenes of a gossipy nature. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Finding Goddard by Deborah Hugill
Performance by Ury Players won the Gallery Trophy in the Aberdeen District of the SCDA one-act play festival 2023. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 16. No chorus. 11 minor roles can be easily shared by two actors. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a variety of locations but minimal set requirements. |
| Synopsis | When it turns out a modest, unassuming man in Helions Bumpstead is really God, everyone has an angle and everyone wants in. But soon enough, people affected by 'Acts of God' want their day in court. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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