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Emotions by 10 x 10 Writers |
Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 42. No chorus. The characters are a mixture of adults and children of various ages, intended to be played either by that mixture or by youth theatre groups. |
Run Time | Around 55 minutes. [Estimated!] |
Music | None. |
Style | A collection of eleven short plays. Basic sets, a few simple props. |
Synopsis | The collection was commissioned for a Youth Theatre workshop. Each play is for four actors or fewer, playing a mixture of adults and children, and intended - as you might deduce from the title - to demonstrate emotions. The plays are not designed to be performed in any particular order. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Emotions 2 by 10 x 10 Writers |
Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 34. No chorus. The characters are a mixture of adults and teenagers, intended to be played either by that mixture or by youth theatre groups. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | A collection of eight short plays. Basic sets, a few simple props. (Some of the scripts include swearing, as do some teenagers.) |
Synopsis | Scripts designed for Youth Theatre groups. Each play is for six actors or fewer, playing teenagers or a mixture of adults and teenagers, and intended - as you might deduce from the title - to demonstrate emotions. There is no particular order to the presentation of the scripts |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Emperor's Last Victory by Vithal Rajan |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. The characters are Ramanujan Varadachary, an old Indian story-teller - a sutradhari, as he is called in Indian drama tradition, an Indian museum curator, the Emperor Napoleon, Napoleon's Aide de camp and his wife. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A combination of Indian storytelling and chess! Simple props, but needs a means of displaying the chess moves to the audience. |
Synopsis | Game Two in the Varadachary Chess Cycle. Napoleon, exiled on St. Helena, uses a chess game with Bertrand, his aid de camp, to review his career, philosophy and military strategy. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The End of the Pier by Richard James |
Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Three generations - target ages, 20, early 40s and early 60s. (Whilst this is intended to be played 'to age', it might be within the compass of the older echelons of a youth theatre group.) |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act drama. Single set (enough to suggest the location). |
Synopsis | An exploration of the relationships and struggles of three generations of women. Cynthia has experienced a betrayal that changes her life dramatically and her daughter Mandy is determined to stay strong and pull her family back together. Billie, Mandy's daughter, is preparing to leave for university but has a secret to reveal before she goes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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End of the Road Pub - a play about Hell by David Webb |
Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The characters are written as Australians, though there is no reason that they couldn't come from other places. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Ten-minute play with a Christian perspective on the riskier areas of the afterlife. (Single public bar setting, simple props.) |
Synopsis | Marty and Jim stagger into a pub after a nasty car crash. They have a drink to steady their nerves but soon notice something strange about the pub. It turns out that crash was nastier than they thought and they've got their own lock-in, forever! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Endowment by Susan Scott |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. As written, the two characters have a playing age of around fifty, though this could be varied somewhat. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | One-act Drama, single domestic set. (Includes occasional swearing.) |
Synopsis | Linda receives a visit from her ex-husband, bearing unwelcome memories and unexpected news. Have their years of separation changed them enough to right old wrongs? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Enough Already by Iris Winston |
Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 21 minutes. [Estimated!] |
Music | None. |
Style | One-act drama. Two settings, but one is a pavement café - a table downstage - so really one main set and a little supplementary furniture.. |
Synopsis | Elsie's children put her in a retirement community. As she struggles to settle in, an overly cheery support worker and a visit from her son fail to lighten her mood. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Entrenched by Samantha Lierens |
Roles | Minimum Male roles = 10. Minimum Female roles = 7. Minimum total with doubling = 17. Minimum total without doubling = 19. No chorus. |
Run Time | Around 66 minutes. [Estimated!] |
Music | A song is suggested to be sung and accompanied on piano at beginning and end the performance. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A full length play, divided into three acts, with many short scenes in different locations. |
Synopsis | A re-telling of a true story about Elsie Knocker and her friend Mairi Chisholm, who were instrumental in establishing and maintaining a hospital, close to the front line at Ypres during the First World War. They were both awarded the Military Medal, were decorated by the Belgian King, and probably became the most photographed women of their time. This play follows them from their first meeting to the irrevocable breakdown of their friendship in 1919. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Epic of Gilgamesh by Adrian Jarvis |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Escape From Garden Grove by Mathilde Dratwa |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Characters of different ages |
Run Time | Around 16 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy duologue set on a bus stop bench. Set in America, but with a universal theme. Includes (appropriate) strong language. |
Synopsis | Teenager Sophie and her grandmother Faye are about to set off on an adventurous trip. With pathos and comedy, and her sagacity, Faye helps Sophie see the world in a different light. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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