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| Split Infinitives by JJ Crossley |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. All three characers are written as male, but need not be! |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | Simple-to-stage one-act comedy play (packed with sci-fi silliness.) |
| Synopsis | An unscrupulous pair of business executives hatch a plan to establish once and for all the exact age of the universe, and reap the fame and rewards, by recruiting a test pilot for their recently acquired, but rather unreliable time machine. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Squirrel Caper by Jamie Hope |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (park bench) setting. |
| Synopsis | A gang of squirrels mastermind a plan to mug an old lady who visits the park every day. Their meticulous plan hits a snag when the old lady unexpectedly brings her dog with her and a pesky chipmunk tries to muscle in on the action. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sredni Vashtar by Tony Best |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 12. Chorus. Chorus is written as a 'Greek chorus', talking in unison and commenting on the action. (This could, of course, be done in other ways.) |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play based on a short story by Saki. Intended to be played near-continuously on a simple set (different parts of the stage representing different locations). |
| Synopsis | This might be described as a black comedy, since our sympathies lie with Conradin, the orphan at the centre of the story who is oppressed by his aunt. Eventually, the aunt gets her comeuppance from Sredni Vashtar, Conradin's very dangerous pet, and Conradin gets to eat more toast. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| St Georgia and the Dragon by Andy Johnson |
| Roles | Minimum Male roles = 14. Minimum Female roles = 9. Minimum total with doubling = 30. Minimum total without doubling = 30. No chorus. Characters include a two-headed dragon (to be played by two actors). |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Large-cast, one-act comedy for kids. Multiple locations, but could easily be staged with minimal sets. |
| Synopsis | King Arthur (no, not that one) rules the kingdom of Amnesia, but he's plagued by a dragon and his out-of-condition knights are no help. Cue the arrival of the very female knight, St Georgia, and the recruitment of some of the palace ladies to see off the menace! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Stand and Deliver [Kids Play] by Geoff Bamber |
| Roles | Minimum Male roles = 7. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 14. No chorus. The numbers are made flexible by the presence of the Earl of Scarborough's Guards (who stand around, look nervous and shout a bit. This is called acting.) |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy play for kids. |
| Synopsis | Emily Jenks, a poor farmer's daughter, accidentally robs the King, finds herself mistaken for a notorious highwayman and consequently on trial for her life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Storm in a Spell Book by Gill Medway |
| Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 20. Minimum total without doubling = 20. Chorus. |
| Run Time | Around 37 minutes. [Estimated!] |
| Music | No music is included, but points at which songs could be added if desired are suggested. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act comedy based on Shakespeare's The Tempest, with various settings. Suitable for performance by children. |
| Synopsis | Survivors of a shipwreck find themselves on the island inhabited by Prospero, the rightful Duke of Milan, who's used his magic to bring them here and plans to regain his title. All manner of magic and confusion ensues. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Storyteller by Tony Best |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. One 'character' is the voice of a station announcer. The other characters take on multiple roles. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Stage adaptation of one of Saki's subversive stories. Single set - largely a few benches. |
| Synopsis | On a railway journey, three children are being disruptive. Their aunt tries to settle them with a moralistic story, but this fails to do the trick, whereas a fellow traveller captivates them with a story in which a good girl is by virtue of being good, caught and devoured by a wolf.
(In this adaptation, the writer takes an even more subversive interpretation of 'devoured', though a milder ending is also offered!) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Summer In The Park by Louise Wade |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of three short plays, each set on the same park bench. |
| Synopsis | Three short plays connected by the location: a bench in a park overlooking a lake, and a recurring theme: the unreliability of first impressions. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Talky Bits by TLC Creative |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 37. No chorus. Many of the characters are written with a specific gender, but most can be changed! |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of ten comedy sketches requiring little in the way of set or props (the most complex sketch requires a table, chairs and a few pieces of paper.) Most could be run front-of curtain. |
| Synopsis | Ten comedy sketches with a theatrical theme, designed to be interspersed between other material in a drama and dance showcase. The sketches cover the theatrical process from pitching a show concept through to first night nerves.
Most of the sketches are available individually. This collection is available at a discount to the sum of the individual prices. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tap Tap by Bill Tordoff |
| Roles | Minimum Male roles = 6. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 28. No chorus. The characters are a mix of adults and children, either to be played by that mix or by children. Whilst there are 28 (gender-specific) named parts, these could be cut down by reassigning lines amongst the 'oldies' and 'kids' groups. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | Sheet music for one song (new lyrics, familiar tune!) is provided with the Producer's Copy of the script. |
| Style | Play for kids with music (one song). Single set - a Youth Hostel common room (and since Youth Hostels come in a variety of shapes, this gives a lot of freedom!) |
| Synopsis | A group of school children and their teachers find themselves in a Youth Hostel without beds due to a booking error. Is their fundraising trip finished before it begins? Luckily, sharing space with a group of old folks leads to more than just community spirit. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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