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| Enough Already by Iris Winston |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Two settings, but one is a pavement café - a table downstage - so really one main set and a little supplementary furniture.. |
| Synopsis | Elsie's children put her in a retirement community. As she struggles to settle in, an overly cheery support worker and a visit from her son fail to lighten her mood. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Entre las Líneas by Sofía Kin & Pilar Muerza |
| Roles | Minimum Male roles = 5. Minimum Female roles = 10. Minimum total with doubling = 16. Minimum total without doubling = 20. Chorus. Personajes incluyen un lobo (de cuento de hadas)! El coro (de los niños) es opcional. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | Partituras musicales de trece canciones se incluyen con la copia del productor del guión.
(Scores are provided with the Producer's copy of the script.) |
| Style | Comedia musical para los niños en un Acto. Escenario mínimo. Utilería simple. |
| Synopsis | Es hora de un cuento para dormir, pero las cosas no son como nos hemos acostumbrado a esperar de ellos... El lobo feroz tiene miedo a los niños pequeños y las princesas están luchando contra dragones para rescatar a los príncipes durmientes.
Spanish translation of 'Between the Lines' by Erica Glenn. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Entrenched by Samantha Lierens |
| Roles | Minimum Male roles = 10. Minimum Female roles = 7. Minimum total with doubling = 17. Minimum total without doubling = 19. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | A song is suggested to be sung and accompanied on piano at beginning and end the performance. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length play, divided into three acts, with many short scenes in different locations. |
| Synopsis | A re-telling of a true story about Elsie Knocker and her friend Mairi Chisholm, who were instrumental in establishing and maintaining a hospital, close to the front line at Ypres during the First World War. They were both awarded the Military Medal, were decorated by the Belgian King, and probably became the most photographed women of their time. This play follows them from their first meeting to the irrevocable breakdown of their friendship in 1919. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Epic of Gilgamesh by Adrian Jarvis |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
| Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Erica and Me by Alan Robinson
Production by Buccaneer Theatre wom the Moray Firth District SCDA festival, 2025 (plus best production and best acting trophies). |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Only four of the characters are called Erica. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | Hilarious one-act farce. Single set (ideally with two practical doors, but could be staged without). Simple props. Contains mild swearing. |
| Synopsis | To impress his boss, who likes employees to be family men, the single, nerdy Simon hires an escort to pretend to be his girlfriend. Things spiral out of control when three women turn up, all (possibly) the Erica he's expecting... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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| Esmerelda and the Baron by Leo Finn |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. The characters include a tree (always good for a wooden performance). |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short British pantomime designed for a small cast on a small stage with minimal scenery. |
| Synopsis | The evil Baron Grim rules the land since the mysterious death of the Duke and his wife. He wants to uncover the charms of young Esmerelda, but she has fallen in love with the stranger, young Hott, who is really the Prince. Will true love triumph? Of course it will. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Pantomime Fun-Packs - jokes and games for children, to supplement the programme for your show
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| Click here to read the script or Click here for more details. |
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| Establishing Relations by David Craig Smith |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Playing ages: two parents, two in late teens. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single domestic set. Contains mild swearing. |
| Synopsis | John's very excited to be bringing Stella home to meet his Mum and Dad, but he's amazed by his Dad's reaction. Dad wants John to give Stella up, straight away, but naturally John wants to know why... Until he finds out. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Even Numbers by Tony Domaille
Best Seller Winner of the Derek Jacobi Award for New Playwriting 2023. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Dr Vincent is written male, but could be played female. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Multi-award-winning thriller with strongly written dialogue and good roles for three actors. One-act, one set (prison consulting room) with a scene in a prison cell created purely by lighting. |
| Synopsis | Mary-Ann has poisoned and killed five people and Doctor Vincent must make an assessment of her mental state for the court. In trying to establish if she is insane, or just plain evil, a shocking truth is discovered. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Everything All Right, Sir? by Nicholas Richards |
| Roles | Minimum Male roles = 14. Minimum Female roles = 6. Minimum total with doubling = 20. Minimum total without doubling = 26. No chorus. The characters are largely adults (with a few children), but intended to be played by a school group. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy (of a broad-brush, knock-about kind), set in a restaurant. |
| Synopsis | It's opening night at Jolyon's, a new restaurant. Jolyon and Leo are hoping for some customers, but they get a lot more than they bargained for, with a grumpy couple, the family from Hell, a paranoid man who hides under a table... In the end they're relieved to see a Policeman. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Everything's Eventual by Kieron Toner |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Episodic drama with a single coffee shop set - which can just be tables and chairs (with the counter implicitly offstage). |
| Synopsis | It's a normal sort of evening in Sally's café, although some of the clientele are a trifle unusual. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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