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| Don't Mention the Dream by Damian Trasler |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Single set, modern realism, character, explores approaches to staging Shakespeare. Contains mild swearing. |
| Synopsis | It's the annual meeting of the Drama Society, but they're a bit thin on the ground this year. Will Russell get his way and produce a period 'A Midsummer Night's Dream' or will Lucy put a spanner in the works? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
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The Dreaming by Richard James
Performance by Maidenhead Drama Guild won Best Play and Best Actor at the Henley Drama Festival, 2017. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The characters are written male, but could be either. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, suitable for a bare stage presentation. |
| Synopsis | Two men find themselves in a featureless room, with no memory of how they arrived there, or even who they are. Their only clues come from scraps of paper on the floor, that seem to mirror words they have spoken. Can it be true that they're just characters in an unwritten play? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Awards | Click here to see the awards won by (productions of) this script. |
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| Duffy's Law by Louise Wade |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. The intention is for adults to play the adult characters and also their younger selves. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama, an exploration of childhood relationships and their adult echoes. Minimal set - various locations created with just a few stage blocks. |
| Synopsis | Tom and Duffy have been friends since childhood, with Duffy taking the role of Sherriff to Tom's Deputy. Tom used to be the Outlaw, until a girl called Poppy joined their game one day... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| The Emperor's Last Victory by Vithal Rajan |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. The characters are Ramanujan Varadachary, an old Indian story-teller - a sutradhari, as he is called in Indian drama tradition, an Indian museum curator, the Emperor Napoleon, Napoleon's Aide de camp and his wife. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A combination of Indian storytelling and chess! Simple props, but needs a means of displaying the chess moves to the audience. |
| Synopsis | Game Two in the Varadachary Chess Cycle. Napoleon, exiled on St. Helena, uses a chess game with Bertrand, his aid de camp, to review his career, philosophy and military strategy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| The End of the Pier by Richard James |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Three generations - target ages, 20, early 40s and early 60s. (Whilst this is intended to be played 'to age', it might be within the compass of the older echelons of a youth theatre group.) |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single set (enough to suggest the location). |
| Synopsis | An exploration of the relationships and struggles of three generations of women. Cynthia has experienced a betrayal that changes her life dramatically and her daughter Mandy is determined to stay strong and pull her family back together. Billie, Mandy's daughter, is preparing to leave for university but has a secret to reveal before she goes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Enough Already by Iris Winston |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Two settings, but one is a pavement café - a table downstage - so really one main set and a little supplementary furniture.. |
| Synopsis | Elsie's children put her in a retirement community. As she struggles to settle in, an overly cheery support worker and a visit from her son fail to lighten her mood. |
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| Establishing Relations by David Craig Smith |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Playing ages: two parents, two in late teens. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single domestic set. Contains mild swearing. |
| Synopsis | John's very excited to be bringing Stella home to meet his Mum and Dad, but he's amazed by his Dad's reaction. Dad wants John to give Stella up, straight away, but naturally John wants to know why... Until he finds out. |
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| Explosion by Liz Dobson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with a single (kitchen) setting. |
| Synopsis | When a family is being torn apart and parent/teenager relations are at their most tense, will a crisis outside the family home help to repair the situation or will it be too late? |
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| An Eye for an Eye by Johnny Grim |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single set (prison cell with practical door). Contains swearing. |
| Synopsis | James Nash is awaiting trial for the murder of his father. The horrific details of the crime have shocked the nation, and Nash has been offered lots of money for his story. But he chooses to tell it to a couple from his local paper, for a pittance given to charity. What is his story? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Far Away and Long Ago by Shari Gledhill |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | An emotional script with well-written dialogue that allows exploration of issues such as PTSD and family relationships without becoming overly sentimental. Good, thoughtful representation of deafness. |
| Synopsis | Harry, a homeless and deaf war veteran, intervenes when he sees Val being mugged at the bus stop. Harry is injured and so Val invites him home. But the arguments between Val's family cause great stress to Harry, which is worsened when Harry meets teenage Katie's new boyfriend. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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