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| The Soldiers' Tale by Mike Sparks |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Modern version of a medieval mystery play. Single, minimal set, basic props. |
| Synopsis | The events on Calvary discussed from the perspective of bystanders, including the soldiers who administered the crucifixion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Still Life by Karen Ankers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two adults and two teenage lads. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Simple (street) setting. Contains swearing (and poignancy.) |
| Synopsis | A moving, thought provoking one act play with a modern tale of two social misfits coming together and each, in their own way supporting the other. Jenny is lonely and frightened having had no social contact since her childhood, not having left the house she shares with her abusive father for over twenty years. She has suffered a final trauma at home and in her despair wanders the streets where she encounters Keith, a bitter unemployed alcoholic trying to eke a living as a street entertainer. As an uplifting, at first reluctant, relationship develops between them an optimistic chink throws light on their despondency. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Stop the Clocks by Keith Badham
Performance by Up-Stage Theatre Company won Most Theatrical Moment and the Audience Appreciation Award at the Bedfordshire One Act Play Festival, 2011. Royal Manor Theatre won the adjudicators award at the Dorset Drama League Festival, 2013 |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 88. No chorus. The fifteen scripts have casts ranging from two to sixteen, however the author expects that some groups will reorganise the twenty-character script for a smaller group - his estimated minimum cast is seven. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A series of short scripts for teenagers. Simple to set, but with plenty of performance challenges. Contains swearing. |
| Synopsis | Fifteen short scripts:
Introduction (Nominally sixteen roles)
Death Of Innocence (Seven roles)
Back to school (Eight roles)
The Interview (Five roles)
Twins (Three roles)
And Lo (Seven roles)
Monster Mum (Two roles)
The Quest For Happiness (Six roles)
Punch and Judy (Three roles)
Knife Crime Horror (Two roles)
The Priory (Two roles)
We Three (Part One) (Six roles)
The Teachers Are Afraid... (Two roles)
We Three (Part Two) (Six roles)
Death (Thirteen roles) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Straight Play by Natalia Knowlton |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama in a single (simple) set. Contains adult themes. |
| Synopsis | In Colorado, 2003, newly married Kate joins a support group for married women, and finds it less than supportive. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Straight to the Top by Martin Sims |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The female role is voice only, |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act comedy/drama in a single set which could be minimal. (The author makes staging suggestions in the Producer's Copy of the script.) |
| Synopsis | Joseph is on his way to the top of the building to end his unlucky life. Fortunately, Michael takes the same elevator, slowing the journey in time for Joseph to achieve a different perspective on life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Substitute by Duncan Battman |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play in the form of a monologue. Dramatic content, though the direct action is minimal. Contains strong language and adult themes. |
| Synopsis | A long but dramatic monologue delivered by Frank, an ex-footballer who is now confined to a wheelchair. As he packs up his room he relates the ups and downs of his life, right up to the startling conclusion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Swan Queen by Frank Canino |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 3. No chorus. There is one speaking voice, Lenore. She addresses the audience as a friend, but also addresses two other people (1M, 1F) who might appear on stage. There is also an option for a group of male dancers. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | Two pieces (associated with classical ballet) are suggested as accompaniment. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Powerful, brilliantly-written one act play. Single set with simple furniture representing multiple locations. |
| Synopsis | A former Prima Ballerina navigates the final months of her life, balancing her health concerns with those of her stepson, an artist with AIDS. Despite some stark differences at first, the pair find common ground and become allies as they each cope with their diagnoses. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sweet Dreams by Peter Appleton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act twisted psychological drama, verging on the melodramatic. |
| Synopsis | Plagued by nightmares after a mysterious accident, Anne has trouble telling reality from her dreams. Is her fiancé alive or dead? Is her father helping her, or holding her prisoner? Can she even trust her oldest friend? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Take-Away by Pat Edwards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two older teens and two middle-aged characters. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play of shorter length, split set - in two flats with a lift, set between them. |
| Synopsis | Gail and Josh share a flat, but their relationship has soured - Josh is harsh and demanding, and Gail is quiet and compliant. The Barnstables live in the flat across from them, an older couple with a happy marriage. But no one seems happy with the way things are between Josh and Gail - not even Josh. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| There's Always Time For Dancing by Helen Boyce |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | One song, to be played over the closing dialogue, is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act drama on a single (living room) set. |
| Synopsis | After a lovely church service, Michael and his wife relax at home. He does his best to make her laugh, encouraging her to dance with him, though she’s tired. But a persistent noise distracts her, and leads her to a sad discovery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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