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| Truth Will Out by Lin Robinson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a compound (living room/rooftop) set. |
| Synopsis | Jack and his girlfriend Emma have just moved into their new student flat. Some friends arrive for an unexpected housewarming, and soon some deeply hidden secrets are brought out into the light. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Twelfth Night [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Twelfth Night', with every word remaining Shakespeare's.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | A cross-dressing survivor of a shipwreck, separated from her twin brother, finds herself in the centre of a confusing love triangle. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Twist by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 16. Minimum total without doubling = 22. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | Whirlwind adaptation of Dickens' Oliver Twist as a one-act comedy for kids. |
| Synopsis | Wide-eyed innocent Oliver progresses from orphanage to workhouse to den of thieves to prison cell and then back onto the mean streets as a fugitive, and not only from the law. No matter, things can only get better, can't they? Even the ever-optimistic Oliver is beginning to have doubts about that. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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| Two For The Price Of One by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with a single (kitchen-dining room) setting. |
| Synopsis | Sarah is beginning to worry that her lorry-driver husband has a fancy woman in Coventry. Their daughter thinks 'augmentation' will help her keep a boyfriend, and Sarah wonders if it'll help her too. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Weddings and a Conference by Karen Doling |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. Eleven speaking roles and an unspeakable photographer. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy play. Single (hotel reception) set. Structurally in two acts, but in length it's on the boundary between a one-act and a two-act (it could occupy a whole evening's theatre or be accompanied by a shorter piece.) Contains mild swearing. |
| Synopsis | A double-booked wedding reception at a hotel causes havoc for the brides, grooms, manager, receptionist, and the attendees of a conference that is supposed to be happening at the same time! However, it soon transpires that the double-booking is not the only coincidence they will have to deal with. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Under the Hood by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama (on the lower boundary of two-act length). Simple sets. |
| Synopsis | Rose, an actor, is rehearsing the title role in a new psychological interpretation of Red Riding Hood under a hot-shot director. Meanwhile, her husband, Mark, is torn between the frustrations of his well-paid dead-end job and the uncertainties of his dream of creating his own business. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| An Unexpected Duty by Robin Wilson |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play which could be used as a full length play. |
| Synopsis | Charlie's rushing off to Home Guard duty, but takes time to warn his wife about their daughter's scandalous dress sense and his worries about her new man. Little does he know that before the night is out he'll be facing down an armed spy! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Unrelated Women by Daniel M. Wolpe |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | The production notes contain suggestions for six classical pieces of music that feature in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A two act drama (though could be performed in one). Set in the US, though the play explores universal themes. |
| Synopsis | At her husband’s funeral, hard-bitten widow Fiona meets Laura, her husband’s young pregnant mistress, having been previously unaware of her existence. Their relationship, at first bitter, evolves into a profound and loving affiliation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Vanity of Dorian Gray by Valerie Goodwin |
| Roles | Minimum Male roles = 3. Minimum Female roles = 8. Minimum total with doubling = 11. Minimum total without doubling = 20. Chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | The producer's copy of the script includes suggestions for 5 (public domain) songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Seventy-five minute adaptation of the Oscar Wilde novel, peppered with Victorian and Edwardian music hall songs and comedy. |
| Synopsis | The hedonistic young man Dorian Gray makes a wish that his portrait would age instead of himself, and the wish comes true. He takes advantage of his eternal youth to court and then dispose of a never-ending line of young women, but four decades later, his sins catch up with him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Welcome to Paradise Road by Brian Coyle
Best Script in Festival - Page to Stage Theatre Festival, Liverpool (2016) |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 58 minutes. [Estimated!] |
| Music | None. |
| Style | A satirical thriller with a set alternating between an office and a living room. |
| Synopsis | In a society where nothing is private and no one knows who to trust, a woman’s partner has disappeared. She is visiting her neighbour, head of the local Neighbourhood Watch, to find out if she’s heard anything about his disappearance. Will her neighbour help her or is this the person she should be most afraid of? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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