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| Stan and Tony by Clive David Lloyd Williams |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 54 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy drama on a single (living room) set. |
| Synopsis | One afternoon in the 1960s, two giants of British comedy met briefly, when Tony Hancock visited Stan Laurel at his home in Santa Monica. Hancock was a very successful radio and TV star of the 1950s and 60s whilst Laurel’s slapstick movies with Oliver Hardy were top box office in the 1920s-40s. This is a play suggesting events which may have taken place during their unpublicised encounter. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Stardust by 10 x 10 Writers |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 58 minutes. [Estimated!] |
| Music | None. |
| Style | Six short plays inspired by the life and work of David Bowie. |
| Synopsis | Six short plays, a mixture of comedy and drama, inspired by the life and work of David Bowie. All were winners of the October 2016 Chesil Theatre New Writing Festival. The plays are available individually, but are provided here as a collection at a discount. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| StreetBox by Deanna Alisa Ableser |
| Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 10. Minimum total without doubling = 12. No chorus. Gender of characters could be altered to suit production. |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama for youth theatre with a simple split stage setting, in American English. |
| Synopsis | A subtle examination of homelessness amongst teenagers, with an inspirational message delivered with a tender touch and dramatic staging. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Talk Show by Gary Diamond |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 11. No chorus. (The doubling figure assumes that the Videotones (three female vocalists) are a recording rather than a live act!) |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, single set (a simple TV talk show studio bounded by dressing room and green room). Includes mild swearing and adult themes. |
| Synopsis | Bunter Smiles is having a bad day. He's just found his wife cheating on him with an American actor, who just happens to be the main guest on his talk show. Little does he know how bad the other guests are going to be... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Taming of the Shrew [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Shakespeare's play efficiently cut down without damaging the flow of the story. A comedy in the renaissance sense of ordinary people, witty dialogue and a happy ending.
Contains Shakespearean insults. |
| Synopsis | Bianca has many suitors, but her father won't let her marry until he has also given away the hand of her hot-tempered and uncontrollable elder sister Katharina. While Lucentio concocts a plan to win Bianca as his wife, Petruchio decides to wed Katharina and subdue her shrewish nature. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tempest [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 7. Minimum Female roles = 1. Minimum total with doubling = 11. Minimum total without doubling = 13. No chorus. The character list, like all of Shakespeare's work, is male-heavy. That has not prevented excellent productions by majority female casts! |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of Shakespeare on the boundary between a one-act and a full-lengh play. All words remain Shakespeare's, with one short speech added by the abridger to facilitate a character exit. |
| Synopsis | Since being usurped as Duke of Milan by his brother, Prospero and his daughter Miranda have lived on a deserted island. With the help of the spirit Ariel, he causes a tempest that shipwrecks his passing enemies. He aims to regain his dukedom and marry Miranda to Ferdinand, son of the King of Naples. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| They Called Her Tante Anna by Elisabeth Marrion |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 53 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act historical drama suitable for educational use. Three simple settings. |
| Synopsis | From December 1938 until the outbreak of WWII, ten thousand Jewish children were evacuated from Nazi Germany to England on the Kindertransport. This is the story of some of those children. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Three Little Words by Jamesine Cundell Walker
New |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of eight short plays, loosely on the theme of love. Multiple settings, but simple sets requiring just furniture (and not much of that). |
| Synopsis | Malcolm and Karen find themselves trapped in the office storeroom.
Ken and disillusioned Brian reminisce about life, comedy duos, and lost loves.
Elderly Marjorie has lost interest and decided to spend her life in bed.
Overbearing Rosie drops off daughter Florence at the start of her first Oxford term.
Graham's ex-wife appears at his mother's funeral.
Teenager Alex gets talking to elderly Gladys in a hospital waiting room.
Despite Danni's encouragement, Jo is reluctant to look at the results of her pregnancy test.
Malcolm hopes to appear at the wedding of his ex-girlfriend, but her sister has something to say about it. (Featuring returning characters from three previous scenes.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Traitors, Cads & Cowards by Martin McNamara |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, though performing groups may wish to add an interval. Single prison cell setting, and some strong language. |
| Synopsis | During the Great War, an army deserter, a conscientious objector and an IRA soldier share a cell. They play out their respective journeys to prison and relate the horrors of the period. Liam, an Irish rebel arrested after the Easter Rising in Dublin, has been transported to the military wing of London's Wandsworth Prison for questioning. He is bunked in with Alfred, a shell-shocked veteran of the trenches up on desertion charges. Their other cell mate is Henry, conscientious objector, court martialed for refusing his call up papers. Can three very different 'Traitors to the King' find common ground? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tremayne's Folly by John Garforth |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Three adult males, three females and a thirteen-year-old boy. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | None. |
| Style | A witty period script with some well-crafted characters. A single coastal setting. |
| Synopsis | In 1803, former soldier Parsons has taken up residence as the official hermit of Lord Tremayne's estate. But this simple life is threatened when he gets caught up in the extra-marital affairs of Sir William Pitt, and a dead Frenchman washes up on the beach. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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