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| Saving The Planet, Maybe by Eric Scott |
| Roles | Minimum Male roles = 2. Minimum Female roles = 6. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. All characters are high school students aged thirteen plus. |
| Run Time | Around 37 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play suitable for youth theatre, with a simple set. |
| Synopsis | Allison has written a play she's planning to direct, but her cast are a mixed bunch - either too professional or not nearly professional enough. Her would-be boyfriend David is on hand to help, but real environmental issues get in the way of this play about environmental issues. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Screw Your Courage by Keith Badham |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 22. Minimum total without doubling = 26. Chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A five-act play for youth theatre in one-act! |
| Synopsis | An enthralling new look at Shakespeare's Macbeth, set in the modern world of teenage gang culture, which loses none of the power and excitement of the original. The Bard's plot and characters are given new life in this masterful interpretation as contemporary themes merge with age old human emotions. The audience are welcomed in to the action with imaginative use of asides and stage directions. An ideal piece for Youth Theatre with exciting and challenging opportunities for all involved, 'Screw Your Courage' provides a theatrical experience which will be long remembered. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Secret Of A Vampire by Sarah Reilly |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | Short play for teenagers. Part of the Bite Size collection of Vampire plays |
| Synopsis | Angeline and Tom seem to be getting on fine, but discovering what seems to be a dead body in the woods shakes them both up. Luckily Victor is not dead, but he seems to know Angeline - know her too well, in fact, and she's not happy to see him, dead or alive... or undead. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shakespeare - It's All Greek To Me! by Sarah Brown |
| Roles | Minimum Male roles = 6. Minimum Female roles = 11. Minimum total with doubling = 27. Minimum total without doubling = 33. Chorus. Various doubling options possible, depending on cast number available. |
| Run Time | Around 46 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play for older children, with various simple settings. |
| Synopsis | Rosie and her classmates are struggling with understanding the works of William Shakespeare. Rosie gets help with her project - not only from her teacher and her family but also from the Bard himself, along with Hermia and Lysander - who appear to her in an animated dream and the magic of Shakespeare's work is revealed to her... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Shelter Secrets by Deborah Heath |
| Roles | Minimum Male roles = 7. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 17. No chorus. Doubling possible for two characters, plus two offstage voices. |
| Run Time | Around 102 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play, suitable for secondary age or youth theatre, with split staging to enable multiple rapid scene changes. |
| Synopsis | Taking shelter from an air raid in their school's boiler room, four children swap secrets in the form of stories. They're surprised to find their tales all meet up and form a larger narrative, one that's completed by their teacher. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Sleepover Secrets by Tony Domaille
Plockton Amdram Youth Society - Intermediate section trophy winner Scottish Community Drama Association one act play youth festival, Highlands 2018. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. One character is an offstage female voice. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama for youth theatre with a single (bedroom) setting. |
| Synopsis | Five sixteen-year-old girls are having a sleepover when they decide to share their most closely guarded secrets. Who has the biggest secret and who will believe whom? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Spice Up Your Life by Sarah-May Simpson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 20. No chorus. Twenty roles (male and female) but written so that they might be played by the five principal characters. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | The score for one original song is supplied with the Producer's Copy of the script which also suggests the use of 3 other songs. |
| Style | Play-with-music. Written for teenagers, but contains strong language.
Single set (mainly a school dance studio, but lighting used to indicate changes to other unspecific locations). |
| Synopsis | Five girls are preparing a Spice Girls-themed entry to a school talent show. But the problems going on in all their lives cause tensions within the group to be stretched. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Backing tracks of songs from the show as MP3 files
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| Click here to read the script or Click here for more details. |
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| Sredni Vashtar by Tony Best |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 12. Chorus. Chorus is written as a 'Greek chorus', talking in unison and commenting on the action. (This could, of course, be done in other ways.) |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play based on a short story by Saki. Intended to be played near-continuously on a simple set (different parts of the stage representing different locations). |
| Synopsis | This might be described as a black comedy, since our sympathies lie with Conradin, the orphan at the centre of the story who is oppressed by his aunt. Eventually, the aunt gets her comeuppance from Sredni Vashtar, Conradin's very dangerous pet, and Conradin gets to eat more toast. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Stop the Clocks by Keith Badham
Performance by Up-Stage Theatre Company won Most Theatrical Moment and the Audience Appreciation Award at the Bedfordshire One Act Play Festival, 2011. Royal Manor Theatre won the adjudicators award at the Dorset Drama League Festival, 2013 |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 88. No chorus. The fifteen scripts have casts ranging from two to sixteen, however the author expects that some groups will reorganise the twenty-character script for a smaller group - his estimated minimum cast is seven. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A series of short scripts for teenagers. Simple to set, but with plenty of performance challenges. Contains swearing. |
| Synopsis | Fifteen short scripts:
Introduction (Nominally sixteen roles)
Death Of Innocence (Seven roles)
Back to school (Eight roles)
The Interview (Five roles)
Twins (Three roles)
And Lo (Seven roles)
Monster Mum (Two roles)
The Quest For Happiness (Six roles)
Punch and Judy (Three roles)
Knife Crime Horror (Two roles)
The Priory (Two roles)
We Three (Part One) (Six roles)
The Teachers Are Afraid... (Two roles)
We Three (Part Two) (Six roles)
Death (Thirteen roles) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Storyteller by Tony Best |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. One 'character' is the voice of a station announcer. The other characters take on multiple roles. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Stage adaptation of one of Saki's subversive stories. Single set - largely a few benches. |
| Synopsis | On a railway journey, three children are being disruptive. Their aunt tries to settle them with a moralistic story, but this fails to do the trick, whereas a fellow traveller captivates them with a story in which a good girl is by virtue of being good, caught and devoured by a wolf.
(In this adaptation, the writer takes an even more subversive interpretation of 'devoured', though a milder ending is also offered!) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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