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Exit Stage Left by Geoff Bamber
Performance by Castrand Youth, Kells won the Lochside Youth Theatre Trophy in the Stewartry District of the SCDA festival, 2017. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Characters are all high school students. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy for high-school-aged actors. Simple set. |
| Synopsis | A high school drama group arrive to rehearse a play. Their teacher, Mrs Finnegan, is indisposed so one of the group takes over the session. His efforts to conduct things seriously are undermined by his cast and the possibility of Mrs Finnegan being a serial killer. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Fighting the Kaiser with Catapults by S. J. Edwards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama written for performance by older youth theatre students (16-19 year olds). Can be performed on minimal sets. |
| Synopsis | A series of vignettes follows three different men, their relationships with the women in their lives and their involvement in the First World War. The scenes take place at various intervals between 1914 and 1916. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| First Day In Drama Class by Herb Hasler |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. A small class of students, a teacher and the Principal. (Could be played to age or could all be played by the members of a youth theatre group.) |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy for youth theatre with a single (classroom) setting. |
| Synopsis | A new drama teacher attempting to establish a rapport with his students uses unorthodox methods which serve only to alienate them. Then the Principal arrives to reveal that all is not what it seems. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Five Americans, Three Murders and a Poisoning by Robert Bloomfield Players/Rebecca Preen |
| Roles | Minimum Male roles = 5. Minimum Female roles = 15. Minimum total with doubling = 20. Minimum total without doubling = 31. No chorus. |
| Run Time | Around 125 minutes. [Estimated!] |
| Music | None. |
| Style | A ripping comedy whodunnit with fast paced dialogue and changes of scene very cleverly keeping the audience on its toes. Written for a youth theatre performance but would be equally suitable for an adult cast. |
| Synopsis | Set in the splendour of Grantham Manor, England, 1926, a Murder Mystery unravels. Lady Grantham and her children, Jeremy and Miranda are awoken to discover that Lord Grantham, husband and father respectively, has been murdered - his Brandy glass laced with poison. One of the country's most promising young Inspectors is brought in to investigate along with England's first female Professor of Forensic Pathology. Together they must discover who perpetrated the death of this prominent local dignitary before anyone else falls prey to a roaming killer. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Friends by David Dunn |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Characters are all teenagers. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Short play for teenagers. No set requirements. |
| Synopsis | Bex and Sam discuss the nature of friendship, while Sam's younger brother tries to figure out how to explain away an expensive present. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Full Circle by Herb Hasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | An intriguing short comedy set in an American high school - an ideal vehicle for school or youth theatre. Stage split between simple representations of the school cafeteria and the principal's office. |
| Synopsis | With typical angst, five high school pupils are involved in various relationship difficulties with each other, resulting in assorted fracas in the school cafeteria which the long-suffering principal is left to resolve. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gabriel-Ernest by Tony Best |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. Either for a youth theatre company, or for a mix of adults and children. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act stage adaptation of a subversive Saki story - this one is edgy, verging on (gothic) horror. There are nine scenes, intended to be played seamlessley with the stage divided into one area for a house and one for all other scenes. |
| Synopsis | 'There's a beast in your woods.'
So it seems. Van Cheele's life is interrupted by the arrival of a strange boy, with disturbing behaviour and an unusual disregard for clothes.
(The author makes some suggestions about how to deal with this last point whilst remaining within the bounds of decency!) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Gala Programme by Tony Best |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Whilst there isn't a formal requirement for a chorus, one could easily be added, as the protagonists refer to the reactions of crowd. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play, adapting a story by Saki. Single set (as simple as you like). A comedy, if you have Saki's very dark sense of humour. |
| Synopsis | A sufragette rebellion is projected back to Roman times. The Romans, needless to say, did not have very modern attitudes to female participation in the political process, and the emperor's solution to the problem is calculated to please the crowd of the circus maximus rather than twenty-first century sensibilities! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Game by Mary Stone |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short sketch, highlighting relationships and friendships. |
| Synopsis | In different social circles at school, Gem and Katy are horrified to discover that their parents are dating. They resolve to break the couple up, but don’t seem to anticipate the results of having to work together on the project. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Get to Dance by Frank Gibbons |
| Roles | Minimum Male roles = 0. Minimum Female roles = 8. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. The characters are 7 female youth actor-dancers (playing ages 14-16) and one 1 adult female actor (playing age aroung 50) |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for a youth-theatre company. |
| Synopsis | A window in to the lives of the members of a dance academy and their 'welcome' for new member Georgina, an overweight teenager who has decided to try dancing as a last resort in her determination to overcome her weight problem. This one act play deals with bullying in all of its forms with humour, music, dance and pathos as Georgina's journey progresses to its uplifting conclusion. Along the way her stoic strength of character enables her to peel away repressed emotions in others and helps them to come to terms with their own difficulties. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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