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| Here I Sit All Alone, I Think I'll Play My Xylophone by Martin Alcock |
| Roles | Minimum Male roles = 6. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. One character is an offstage voice. |
| Run Time | Around 135 minutes. [Estimated!] |
| Music | None. |
| Style | A full length drama, with a single (theatre dressing room) setting. |
| Synopsis | Once famous comedy duo Wild and Wooley have been relegated to dead end provincial panto. They are excited to learn that their new agent has negotiated a possible television show for them when their erstwhile, crooked agent turns up - to rain on their parade with secrets from the past. They deal with his blackmail in a surprisingly shocking way, after which they are able to come to terms with the past and go forward to a brighter future. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Holding Up A Mirror by Wally Smith |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute play. No set requirements (unless three chairs count as a set - in this case, I would count them as props). Contains mild swearing. |
| Synopsis | A discussion about theatre and the nature of drama... but are you watching them, or are they watching you? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Illusion/Delusion by David Pollard |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 78 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of three one-act plays, all of which are also available separately. |
| Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Importance Of Being Belinda by John Garforth |
| Roles | Minimum Male roles = 0. Minimum Female roles = 6. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 37 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (garden) setting. Adult themes and strong language abound! |
| Synopsis | The feminist Sapphire Theatre Collective is in final rehearsal for Oscar Wilde’s ‘The Importance Of Being Earnest’. Wilde’s script has been revised and updated to cater for an all female cast and political correctness by Belinda. The opening is in doubt as Belinda has been arrested for gross indecency on stage during a previous performance, but the show must go on! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Importance Of Peaches by Tony Domaille |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single setting |
| Synopsis | The Southbury Players Committee is meeting to discuss the group's poor record of success. Members are looking for a big idea to revive the group's fortunes, but when all seems lost, salvation comes from an unexpected source. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Interval by Frank Gibbons |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch, requiring only a couple of seats (and a couple of actors to fill them). |
| Synopsis | The interval of a theatrical show provides the opportunity for a gossip (and a string of theatre jokes). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Is This A Sketch? by David Lovesy & Brian Two |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy sketch |
| Synopsis | Two comics wonder if they are performing a sketch. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Jesters, Jousters & Donuts by Patti Veconi |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 17. Minimum total without doubling = 25. Chorus. |
| Run Time | Around 54 minutes. [Estimated!] |
| Music | Eight pieces of Renaissance-themed music, scored for junior school musicians, are provided with the Producer's copy of this script. |
| Style | A one act Renaissance-themed school play with music. |
| Synopsis | A troupe of re-enactors assemble in a small town to stage their annual Renaissance Fair - just as contractors with the Dept. of Buildings arrive to announce plans for the sale of the land they are on. The narrator arranges a stay of execution and the show, featuring an archery contest, juggling jesters, a jousting match and not one, but three rival queens, can go on. When the contractors return, (with donuts to share), the actors make their sad goodbyes and exit. The clever Narrator, however, makes a discovery that saves the Renaissance Fair and brings the charming village of Notting-Sher-Wessex-Wood back. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Just Breathe In, Dear by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | One-act light comedy play set in a theatre wardrobe department. Originally published 2015, revised 2019. |
| Synopsis | As well as treading the boards in every show, Joyce is the wardrobe mistress for an amateur dramatic society. She is rather disorganised and leaves everything to the last minute. Deidre has piled on the pounds since the last pantomime, so her fairy costume won’t zip up. Joyce’s mood pre-show week swings from despair to rage and Deidre feels the full force of her wrath. Marjorie has been putting her DIY skills to good use. Julian has problems of his own. Ann has no sympathy for any of them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Keep Smiling Through by Suzan Holder |
| Roles | Minimum Male roles = 14. Minimum Female roles = 15. Minimum total with doubling = 33. Minimum total without doubling = 33. Chorus. Chorus size at Producer's discretion |
| Run Time | Around 75 minutes. [Estimated!] Variable timing possible with songs used |
| Music | Well known songs from the wartime era. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A play for schools, with songs, set in a theatre in Britain in World War 2. |
| Synopsis | A Theatre Company preparing and presenting a variety show evokes life in wartime Britain through drama, song, dance and some pathos. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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