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The Neville Report - Village of Fear by Gary Diamond, John Fryer & Ray Lawrence |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 8. No chorus. In theory, because it's a radio play, this could be done with a very small cast - Neville, the central character plus one other male and one female playing the rest of the characters. One of the characters - Harry the Leg - is purely a sound effect! |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act play - a comic pastiche of a 1950s radio drama intended for presentation as a staged radio play. |
Synopsis | A comedy radio play that pits intrepid reporter Neville Reville against the supernatural goings-on in Merry Waddle on the Weddle. Aided only by a leg in disguise, Neville braves the Portals of Hell (a pub), Lusty Wanda (a siren) and the evil Mordred to rescue Lady Purity! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Next Big Thing by David Titchener |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 38 minutes. [Estimated!] |
Music | None. |
Style | One-act play in a single (store-room or garage) setting. |
Synopsis | Eddie, Big Chris and Jono are tired of being small time criminals, but every attempt to make the step up to the big leagues has resulted in failure. But this time, Eddie thinks he's got it sorted. All they need are some pigeons. (The same characters appear in Flaming Liberty and I Now Pronounce You. The pieces are independent, but could be used together.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Nobbo by David Pollard |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | A one-act dark comedy with a single (backstage) setting. |
Synopsis | Ben and Jerry are the pantomime horse Nobbo. During the play's interval, amidst the mayhem of a missing dame, the two disagree on the future of their act. Their once-bright future has been reduced to what is to all appearances a failure. Ben wants out and has the golden opportunity of a legacy from his aunt. Jerry perversely cannot bring himself to quit and it becomes apparent that he closely identifies with Nobbo. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Odd Ball by Steve Menary Perfomance by Berriew YFC won the Best Production (plus two other awards) in the NFYFC National Finals, 2010. |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. It would be possible to double Scott with The Spot, but that would require rapid changes, so would need a lot of thought to go into the costumes. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act play about a teenager with testicular cancer. Rapid alternation of scenes implies an outline set, rather than detail - thus suitable as a festival piece. Contains mild swearing and discussion of a serious subject! |
Synopsis | Danny is a football player on his school team, but he's got a secret - something like a spot in a very private place. It turns out to be a lot more serious than acne, and costs him his place on the team, and the friendship of his closest mate. Are they both gone forever? (The script is in British English, so 'football' refers to a game in which the ball is addressed principally by the players' feet.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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The Rector of Stiffkey by Graham Jones |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | Essentially, this is a courtroom drama set in the afterlife, with the audience cast as the jury! Minimal set and props. |
Synopsis | Harold Davidson has arrived in Limbo, and a lot depends on the nest few minutes - how he accounts for the extraordinary events of his life until his death by mauling will determine where he goes from here. Was he really immoral, or a modern-day saint treated badly by the church? This is the true story of Harold Davidson known in the 1930s as 'The Rector of Stiffkey'. His unfrocking by the Church of England was a cause celebre but he attained even greater notoriety by later preaching in a lion's den at a circus. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Right on Cue by Barry Lambert |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Roles are written as 2 male, 2 female, but all could be played as either. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A one-act comedy with a single (police office) setting. |
Synopsis | The Battersea Batterer is causing havoc for the understaffed local CID as he goes around the neighbourhood hitting people over the head with a billiard cue. The police are snookered at first but are assisted by a psychological profiler in solving the case. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Sassenach by Ronnie Dykstra |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. Eleven roles (plus two actors who play themselves before taking on characters), designed to be playable by a cast of three plus a cameo from the director. |
Run Time | Around 34 minutes. [Estimated!] |
Music | None. |
Style | A spoof 'English' Macbeth based shamelessly on Shakespeare's tragedy, stealing many of his famous words and taking disgraceful liberties. One-act, single set (largely a living room). |
Synopsis | When a witch prophesises that Arthur Robinson could become chairman of the bath plug manufacturer he works for, his wife Samantha coerces him into speeding the process along by having his boss clobbered with a saucepan. His subsequent rise to power is hindered by the blood on their hands and rival employee Andrew Duff. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Scene Six by Andrew McGuirk |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. The 'director' is an offstage voice and could be doubled by 'David'. The characters appear in a flashback as their childhood selves. |
Run Time | Around 55 minutes. [Estimated!] |
Music | None. |
Style | Character drama with plenty of acting challenges. Structured in two acts, but, at around 55 minutes, of one-act length. (Includes some swearing.) |
Synopsis | Two old friends and a new acquaintance decide to put on a play, but the assigned parts, emotional attachments, and the ruthlessness of the director cause rifts between the three. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Second Thoughts by Colin Calvert |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. (The max. and min. numbers depend on whether the production follows the author's intention and uses a quartet of four female singers to punctuate the action. There are also a few lines addressed to passers-by who might or might not appear on stage.) |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act play, single minimalist set - a bus stop. Few props. A study of an attempted mid-life affair. |
Synopsis | Harold is waiting at the appointed spot, a bus shelter, for a meeting with his old school friend Patti, and wondering if he's up to having an affair, if that's even what's on offer. |
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A Single Moment by Tony Domaille Runner up UK Community Drama Festivals Federation Geoffrey Whitworth competition for Best Original Script, 2015 |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 29 minutes. [Estimated!] |
Music | None. |
Style | A one act play with a single (Betting Shop) setting. Part I of the author's 'Changes' trilogy. |
Synopsis | Danny's gambling has finally brought him to rock bottom. He has lost everything and now finds himself in the bookmaker’s shop learning lessons from a bag lady and a bookmaker. Whilst salvation is offered from surprising sources, it is a single moment that saves him when his most unlikely bet is won because on 5th June 2009 snow fell across parts of the UK. |
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Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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