Lazy Bee Scripts
One-Act Play Script - Search Results


All the scripts described below can be read in full on the Lazy Bee Scripts web site (click on the titles).
However, all the scripts on this site are copyrighted. They may not be printed, quoted or performed without the permission of Lazy Bee Scripts.
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Scripts 41 to 50 of 57
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The Rector of Stiffkey by Graham Jones
RolesMinimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus.
Run TimeAround 45 minutes. [Estimated!]
MusicNone.
StyleEssentially, this is a courtroom drama set in the afterlife, with the audience cast as the jury! Minimal set and props.
SynopsisHarold Davidson has arrived in Limbo, and a lot depends on the nest few minutes - how he accounts for the extraordinary events of his life until his death by mauling will determine where he goes from here. Was he really immoral, or a modern-day saint treated badly by the church?
This is the true story of Harold Davidson known in the 1930s as 'The Rector of Stiffkey'. His unfrocking by the Church of England was a cause celebre but he attained even greater notoriety by later preaching in a lion's den at a circus.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Right on Cue by Barry Lambert
RolesMinimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Roles are written as 2 male, 2 female, but all could be played as either.
Run TimeAround 30 minutes. [Estimated!]
MusicNone.
StyleA one-act comedy with a single (police office) setting.
SynopsisThe Battersea Batterer is causing havoc for the understaffed local CID as he goes around the neighbourhood hitting people over the head with a billiard cue. The police are snookered at first but are assisted by a psychological profiler in solving the case.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Sassenach by Ronnie Dykstra
RolesMinimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. Eleven roles (plus two actors who play themselves before taking on characters), designed to be playable by a cast of three plus a cameo from the director.
Run TimeAround 34 minutes. [Estimated!]
MusicNone.
StyleA spoof 'English' Macbeth based shamelessly on Shakespeare's tragedy, stealing many of his famous words and taking disgraceful liberties. One-act, single set (largely a living room).
SynopsisWhen a witch prophesises that Arthur Robinson could become chairman of the bath plug manufacturer he works for, his wife Samantha coerces him into speeding the process along by having his boss clobbered with a saucepan. His subsequent rise to power is hindered by the blood on their hands and rival employee Andrew Duff.
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Scene Six by Andrew McGuirk
RolesMinimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. The 'director' is an offstage voice and could be doubled by 'David'. The characters appear in a flashback as their childhood selves.
Run TimeAround 55 minutes. [Estimated!]
MusicNone.
StyleCharacter drama with plenty of acting challenges. Structured in two acts, but, at around 55 minutes, of one-act length. (Includes some swearing.)
SynopsisTwo old friends and a new acquaintance decide to put on a play, but the assigned parts, emotional attachments, and the ruthlessness of the director cause rifts between the three.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Second Thoughts by Colin Calvert
RolesMinimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. (The max. and min. numbers depend on whether the production follows the author's intention and uses a quartet of four female singers to punctuate the action. There are also a few lines addressed to passers-by who might or might not appear on stage.)
Run TimeAround 30 minutes. [Estimated!]
MusicNone.
StyleOne-act play, single minimalist set - a bus stop. Few props. A study of an attempted mid-life affair.
SynopsisHarold is waiting at the appointed spot, a bus shelter, for a meeting with his old school friend Patti, and wondering if he's up to having an affair, if that's even what's on offer.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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A Single Moment by Tony Domaille
RolesMinimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus.
Run TimeAround 29 minutes. [Estimated!]
MusicNone.
StyleA one act play with a single (Betting Shop) setting. Part I of the author's 'Changes' trilogy.
SynopsisDanny's gambling has finally brought him to rock bottom. He has lost everything and now finds himself in the bookmaker’s shop learning lessons from a bag lady and a bookmaker. Whilst salvation is offered from surprising sources, it is a single moment that saves him when his most unlikely bet is won because on 5th June 2009 snow fell across parts of the UK.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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The Soldiers' Tale by Mike Sparks
RolesMinimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus.
Run TimeAround 20 minutes. [Estimated!]
MusicNone.
StyleModern version of a medieval mystery play. Single, minimal set, basic props.
SynopsisThe events on Calvary discussed from the perspective of bystanders, including the soldiers who administered the crucifixion.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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The Source Of Denial by Damian Trasler
RolesMinimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus.
Run TimeAround 40 minutes. [Estimated!]
MusicNone.
StyleOne-act play with a minimal set. A combination of comedy, serious argument and an exploration of the writing process. (Is that metadrama? Who knows?)
SynopsisStruggling to write a 'proper' play after years of comedies, a writer uses his favourite character to explore faith, proof and truth, only to end up learning more about himself than he expected.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Spoofing For Gordon by Duncan Battman
RolesMinimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus.
Run TimeAround 47 minutes. [Estimated!]
MusicNone.
StyleA one act drama, with two simple settings and some strong language.
SynopsisTen years ago, a group of friends entered an agreement binding them all to assisted suicide in the event that any of them became terminally ill. Gordon is now in that position, and the friends gather at his house and agonise over their pact.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Still Life by Karen Ankers
RolesMinimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two adults and two teenage lads.
Run TimeAround 25 minutes. [Estimated!]
MusicNone.
StyleOne-act play. Simple (street) setting. Contains swearing (and poignancy.)
SynopsisA moving, thought provoking one act play with a modern tale of two social misfits coming together and each, in their own way supporting the other. Jenny is lonely and frightened having had no social contact since her childhood, not having left the house she shares with her abusive father for over twenty years. She has suffered a final trauma at home and in her despair wanders the streets where she encounters Keith, a bitter unemployed alcoholic trying to eke a living as a street entertainer. As an uplifting, at first reluctant, relationship develops between them an optimistic chink throws light on their despondency.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.
Scripts 41 to 50 of 57
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