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| Self Centre by Jackie Carreira |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act prose monologue. |
| Synopsis | As she deals with a series of customers, Vivi, a receptionist at a new age health centre, reflects on the circumstances that brought her here and the loss of her brother. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Senior Speed Date by Jeff Bray |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. One character is voice-only and can be voiced live or pre-recorded. |
| Run Time | Around 39 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (pub room) setting. |
| Synopsis | Recently separated from her husband, Joan has been persuaded by her daughter to attend a speed dating evening. She is confronted by a procession of highly unsuitable candidates. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Set to and Build by Peter Appleton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy during which parts of the set are built on-stage - sort of. |
| Synopsis | An AmDram crew meets ahead of the new show to build the set. Arguments over creative vision versus available materials, colours and building techniques, not to mention accidents, strain relations. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shakespeare's Last Act by Joan Greening |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Three male characters (so possibly a counterpoint to the three female characters in Joan Greening's Three Women and Shakespeare's Will.) |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | Witty one-act comedy play in a single set (and not much of that), with plenty of Shakespeare references and a poignant ending. |
| Synopsis | Shakespeare is working on his final play, Henry VIII, collaborating with John Fletcher. The working relationship is tetchy. Shakespeare's friend, Richard Burbage, assumes he will get the lead, but Fletcher has other ideas. Shakespeare comes up with a plot to get his friend the part. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sharing by Bob Tucker |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play, single interior set. Furniture includes a collapsing chair (great fun for the set designer!) |
| Synopsis | Chris the suave estate agent thinks he's on to a good thing when wet and weedy Jake brings the gorgeous Holly in to buy a house. They're clearly not suited, and he makes his move to split them up. Jake is paired off with Chris's soon-to-be ex-wife and leaves, but then Holly has some surprising revelations for Chris. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sherlock Holmes' Last Case by Charlie Cook |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One act comedy play (single set). |
| Synopsis | The fabulous Kalimari diamond has been stolen from a locked bag in a locked safe, and when Watson hands over the ransom, the receiver is murdered horribly! A brilliant Holmes pastiche with appropriate gags and a surprise ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shift Change by Terry McFadden |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in which the three characters engage in witty and insightful conversation to tell us their stories with comedy and pathos. Single (American) bar setting. Contains mild swearing. |
| Synopsis | What do you get when you mix one-part disenchanted tomboy waitress who just dumped her loser boyfriend, one-part overly pontificating know-it-all seasoned bartender, and one-part recently jilted blue-collar droop who just isn't doing well with the ladies? You get the situation at shift-change at Shannahann's Pub. A light-hearted take on bar culture and protocol, where Gregg, fresh from a breakup, receives hilarious coaching on the art of picking up women from the garrulous barkeep, Pete. While he's more bemused than bolstered, his intended departure is halted when he encounters the pub's beautiful, hard-nosed waitress Vicki, who, after some coy, heated banter, provides him with a simpler solution to his romantic problem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sixty-Love by Mike Rowbottom |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (tennis club veranda) setting. |
| Synopsis | Middle-aged widow Felicity, who pretends she's ten years younger, is having a sizzling relationship with Alan, who is 25 years her junior. They are observed by Deborah and Jennifer, two older women, who eventually discover suppressed feelings in themselves. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Skeggy '62 by Anne Graham |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy, with a single (seaside café) setting. |
| Synopsis | It is the summer of 1962, just before The Beatles sack drummer Pete Best and replace him with Ringo Starr. Young Jane is about to leave for London when she encounters Liverpool girl Abbie - who has been courting Ringo Starr, but has decided that Pete Best has better prospects. Abbie points out the dangers of leaving home, as well as persuading café owner Charlie to give Jane a job. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Skitskrieg by TLC Creative |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 51. Chorus. Whilst the minimum cast 'as written' is 5 male and 4 female, the humour would be suitable for actors playing across gender, so, in theory, most of it could be done by a cast of 4, with just The Land Army sketch requiring 5M, 2F. |
| Run Time | Around 60 minutes. [Estimated!] Period songs could be added to extend the run time. |
| Music | The script contains the lyrics to one song (to the tune of 12 days of Christmas) and suggestions for other songs which might be appropriate for the show. (Note that additional songs will add to the run-time.) Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Collection of sketches. Minimal requirements for set and props. |
| Synopsis | Fifteen sketches with Second World War themes (although with a very modern perspective, including, amongst other things, pastiches of TV shows). Topics include rationing, air-raids, code breaking and various perspectives on the trials of military life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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